2019 Grammy nominee Randall Scarlata performs Schumann’s beloved song cycle. A light-hearted sonata by Prokofiev meets a colorful match in Ravel’s sensuous songs scored for voice and three instruments.
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Baritone
Baritone Randall Scarlata has been praised by the New York Times as "an intelligent and communicative singer" with a "compelling desire to bring texts to life." He has also been acclaimed for his "extraordinary vocal range and colour palette" and "ability to traverse so many different singing styles" (MusicWeb International). The Daily Telegraph (London) adds "Randall Scarlata sings with the assurance of one with nothing to prove."
Known for his versatility and consummate musicianship, Randall Scarlata's repertoire spans five centuries and sixteen languages. A sought-after interpreter of new music, he has given world premieres of works by George Crumb, Paul Moravec, Richard Danielpour, Ned Rorem, Benjamin CS Boyle, Lori Laitman, Thea Musgrave, Samuel Adler, Hilda Paredes, Daron Hagen, Wolfram Wagner and Christopher Theofanidis. He regularly performs the major German song cycles with pianists such as Cameron Stowe, Gilbert Kalish, Jeremy Denk, Jonathan Biss, Inon Barnatan, Peter Frankl, and Laura Ward. He is a regular guest with Chamber Music Society of Lincoln Center, the Philadelphia Chamber Music Society, the Isabelle Stewart Gardner Museum, Lyric Fest, Chamber Music Northwest, the Seattle Chamber Music Festival, Kneisel Hall Festival, the Skaneateles Chamber Music Festival, among many others. In addition, Mr. Scarlata's extensive recording catalog appears on the Chandos, Naxos, CRI, Gasparo, Arabesque, Bridge, Albany and Sono Luminus labels. His recording of Schubert's Winterreise with pianist Gilbert Kalish was honored with a Grammy nomination for Best Classical Vocal Solo.
Randall Scarlata has appeared on concert stages throughout Europe, North America, South America, Australia, and Asia. He has been a soloist with the Philadelphia and Minnesota Orchestras, and with the Pittsburgh, San Francisco, American, Sydney, Ulster, Tonkünstler, National, New World, and BBC Symphonies, as well as the early music groups Wiener Akademie, Grand Tour, Tempesta di Mare, and Musica Angelica, among others. Many of the world's great music festivals have sought him out as a soloist, including the Ravinia, Marlboro, Edinburgh, Norfolk, Vienna, Music at Menlo, Gilmore, Salzburg, Norfolk, Aspen, and Spoleto (Italy) festivals.
Mr. Scarlata is co-artistic director of the Alpenkammermusik Chamber Music Festival in Carinthia, Austria during the summer, and gives masterclasses throughout the United States and abroad. This summer he joins the faculty of the Tanglewood Music Center, and in the fall joins the faculty of the Peabody Conservatory of Johns Hopkins University. He has also served on the faculties of West Chester University and SUNY Stony Brook.
Flute
Aaron Goldman was appointed principal flute of the National Symphony Orchestra by Christoph Eschenbach in January 2013. An active soloist, he has performed throughout the US and made his NSO concerto debut with Maestro Eschenbach in 2014.
Mr. Goldman joined the NSO as assistant principal flute in 2006. Prior to joining the NSO, he was principal flute of the Orlando Philharmonic and began his orchestral career as acting principal flute of the Greater Lansing Symphony for the 1999-2000 season. Aside from his appearances with the NSO, Mr. Goldman has performed concertos with the Amadeus Chamber Orchestra, Virginia Chamber Orchestra, Arlington Philharmonic,Orlando Philharmonic, the Chamber Orchestra of Florida, and has performed at several National Flute Association annual conventions. He appears as part of the Kennedy Center Chamber Players, KC Jukebox, and has performed with the Eclipse Chamber Orchestra, the National Chamber Players, the 21st Century Consort, the Smithsonian Chamber Orchestra, and participated in many educational programs with the NSO,including performances in the Family and Terrace Theaters.
Mr. Goldman appears regularly as guest artist at universities and flute festivals and has taught at the New World Symphony, the National Orchestral Institute, the National Youth Orchestra, the Master Players Festival, and the NSO’s Summer Music Institute. He has given lectures at the Carnegie Institute and the Smithsonian Institution with programs such as “The Magical Flute” and “Math and Music: Closer Than You Think” alongside former NSO cellist Yvonne Caruthers.
Mr. Goldman received his Bachelor of Music degree from the Eastman School of Music where he studied with Bonita Boyd.
Cello
A versatile and promising performer bringing “sonorous life” to the stage [Cleveland Plain Dealer], cellist Carrie Bean Stute’s musical endeavors cover the span of solo, chamber, and orchestral playing. Since 2014 she has held a position with “The President’s Own” Marine Chamber Orchestra in Washington, DC, where she performs in such diverse settings as the White House, State Department, area public schools, and the Phillips Collection. She is co-founder and co-artistic director of the Capitol Hill-based chamber music seriesthe Chiarina Chamber Players. Appearing on most of Chiarina’sconcerts alongside leading regional players, she also manages programming and outreach for a growing audience base.
Carrie was a fellow at the New World Symphony in Miami Beach, Florida, and at the Tanglewood Music Center, where she was recipient of the Karl Zeise Memorial Cello Award. As a soloist noted for her “style and virtuosity” [ClevelandClassical], Carrie has performed with the Florida Orchestra and the Apollo’s Fire Baroque Orchestra of Cleveland. She appeared at the Norfolk (CT) and Sarasota (FL) chamber music festivals, and at the Britten-Pears Young Artist Programme in Aldeburgh, England. While living in New York, she performed in such notable venues as Carnegie’s Zankel Hall, Le Poisson Rouge, Roulette, and an in-house educational residency at the 92nd Street Y. She has collaborated with such artists as Jaime Laredo, Sarah Chang, Charles Neidich, and Rolf Schulte. Her work with small ensembles and orchestras can be heard on the Albany, Avie, BSO Classics, and GlorClassics recording labels.
As a performer who seeks out the work of today’s composers, Carrie was a member of the New York-based ensemble Hotel Elefant and participated in the 2013 Carnegie Hall workshop "New Voices, New Music," led by David Lang and the International Contemporary Ensemble. She has collaborated with DC’s Inscape Chamber Orchestra and with such diverse composers as John Adams, Oliver Knussen, Michael Gordon, Richard Carrick, SahbaAminikia, and Mary Kouyoumdjian. She took part in Tanglewood’sElliott Carter Centennial celebration and was soloist in a premiere reading of Fang Man’s Tao for Sheng, Cello, and Orchestra at the Aldeburgh Festival.
Carrie is currently an instructor at the DC Youth Orchestra Program and the Capitol Hill Arts Workshop’s Suzuki program. Sheserved as an adjunct instructor at CUNY Queens College, where she taught cello and chamber music. In 2016 she was a teaching artist and performer at the Alonso Marín National Music Festival in Caldas, Colombia. In 2014 and 2012 she served as a guest teaching artist for the National Youth Orchestra of Honduras, in an initiative sponsored by the U.S. Embassy. Carrie taught previously at the Harlem Opus 118 School in New York and at the Eastman Community Music School in Rochester. With the Atlas Piano Trio, she held a two-year residency at Hampden-Sydney College in Virginia. At the Bowdoin Music Festival, she was a teaching assistant to Professor Steven Doane. In her earlier collaborations with the Youth Orchestra of the Americas, she took part in toursto Central America, South America, and Europe, interacting with local youth orchestras in projects designed to mentor young musicians. She currently serves on the Advisory Board of YOA’s expanding pilot program, the Global Leader Program, which offers fieldwork opportunities for teaching artists and a related curriculum.
Carrie holds degrees from the Eastman School of Music and Indiana University, where she was also a recipient of a faculty-awarded Performer’s Certificate (ESM), Arts Leadership Certificate (ESM), and Jacobs Scholar Award (IU). She was recipient of an Enhanced Chancellor’s Fellowship from the City University of New York’s Graduate Center, where she is completing doctoral studies. Her teachers include Steven Doane, Janos Starker, Marcy Rosen, Sharon Robinson, and Scott Kluksdahl. She studied chamber music with members of the Tokyo, Artis, and Ying Quartets, and with the Kalichstein–Laredo–Robinson Trio. She has performed in master classes for such cellists as FransHelmerson, Paul Katz, and Timothy Eddy.
Piano
Pianist Efi Hackmey is Co-Founder and Co-Artistic Director of Chiarina Chamber Players, together with cellist Carrie Bean Stute. Mr. Hackmey is an active soloist and chamber musician in NYC and in the DC area. In 2013 he released an album on the Naxos label, which includes several world premiere recordings (Polish Violin Music with violinist Kinga Augustyn). Efi has performed at Weill Recital Hall at Carnegie Hall, Lincoln Center’s Rose Studio, Kennedy Center, Bargemusic, Arion Chamber Music, and the Friends of Mozart series in NYC. He performed many additional concerts in Alabama, California, DC, Florida, Idaho, Indiana, Maryland, Montana, New York, North Carolina, Pennsylvania, Texas and Wyoming. In his native Israel he performed as soloist with the Haifa Symphony Orchestra, as well as at the Tel Aviv Museum of Art, Jerusalem Music Center, and in special concerts presented by the Arthur Rubinstein International Music Society. He has performed on Israeli TV Channel 2, and his recordings have been broadcast on the Israeli National Public Radio,and in the US on WTSU, WRWA and WTJB. A review of one of his New York performances quotes “excellent Israeli musician... under his fingers the piano sounded noble, and each phrase was full of character”, and further praises his “highly personal, thought through interpretation.” (Roman Markowicz, “Nowy Dziennik”).
Mr. Hackmey has served on the piano faculty at DePauw University, and he also taught at the Indiana University system, Montgomery College in Rockville, MD, and Levine School of Music in Washington, DC. He holds a Doctor of Music degree in piano performance from the Indiana University Jacobs School of Music, and degrees in piano and conducting from Tel Aviv University. He studied with Menahem Pressler, Pnina Salzman and Dina Turgeman, and has had additional coaching with Lazar Berman, Emanuel Ax, Richard Goode, Janos Starker, David Zinman, Richard Stoltzman and Jaime Laredo.