Form, Shape, Groove

Ji Su Jung

Percussion

The first solo percussionist to ever receive the prestigious Avery Fisher Career Grant, Ji Su Jung has a distinctive musical voice that is instantly recognizable for its lyricism and sincerity. Her artistic breadth carries her with equal ease from the solo marimba medium to multiple percussion solos and European theatrical performance pieces. 

Born in South Korea, she is a rarity in the world of percussion having begun her studies at the age of four. Her exceptional talent was recognized early on and led to recitals and concerto performances at such a young age that she needed a small platform to stand upon just to reach the keyboard of the instrument. That platform was soon left behind as her stature and musical voice matured and numerous solo performances ensued. In 2011, she came to the United States where she completed her undergraduate studies at the Peabody Institute of the Johns Hopkins University, thanks to a generous grant from The Brookby Foundation in Wisconsin, and later received her Masters and Artist Diploma from the Yale School of Music under the tutelage of famed percussionist Robert van Sice.

Her exceptional potential quickly blossomed into professional success leading to concerto performances including the Baltimore Symphony Orchestra with Marin Alsop, Houston Symphony with Daniel Hege, the Aspen Festival Orchestra with Michael Stern, Grand Rapids Symphony with Marchelo Lehninger, the Colorado Music Festival Orchestra with Peter Oundjian, Boise Philharmonic with Eric Garcia, the Windsor Symphony in Canada with Robert Franz and the Romanian Symphony Orchestra. Miss Jung made her commercial recording debut this season at the invitation of Pulitzer prize winning composer, Kevin Puts performing his spectacular marimba concerto with Marin Alsop and the Baltimore Symphony for the Naxos label. Her recitals across America have also won over new audiences for the marimba and her appearance at the Kennedy Center in Washington, D.C resulted in an unexpected invitation to join the the faculty at The Peabody Institute. Ji Su has garnered numerous prizes in national and international competitions. She was the first percussionist in twenty six years to win the First Prize and the Audience Choice Award at the 2018 Ima Hogg Competition of the Houston Symphony and was a laureate in the International Marimba Competition in Linz, Austria in 2015. NPR radio host Fred Childs welcomed her as an artist in residence for his nationally syndicated program, Performance Today. During her week with him in Minneapolis, she performed many of the seminal pieces in the marimba repertoire introducing the instrument to listeners in every corner of the country. While in Minnesota, Jung’s concerts for children were highly successful reflecting her love for bringing classical music to young audiences. Ji Su has presented master classes at numerous conservatories and universities around the world including the Curtis Institute of Music, New York University’s Stienhardt School, The Shepherd School of Music at Rice University, and the Beijing Central Conservatory in China and she serves on the faculties of the Curtis Institute of Music as well as the Peabody Institute of Johns Hopkins University.

As the repertoire for marimba in mixed ensemble is growing rapidly, Miss Jung has become an active chamber musician alongside her solo concerts. Her first commercial chamber CD of Garth Neustadter’s Seaborne with The Percussion Collective is due for release in 2023. This all-star collection of young percussionists performs recitals and  concertos in major concert venues around the world and she has been a core member since its inception. She has also appeared at the Yellow Barn and Norfolk Chamber Music Festivals where she performed with many of today’s greatest chamber musicians including legendary pianist Gilbert Kalish and Roger Tapping, formerly of the Takács String Quartet. Starting in the 2022-2023 season, Ji Su will join forces with luminary flutist Marina Piccinini to form a duo performing in both North America and Europe.

Adria Sternstein Foster

Flute

Praised by the Washington Post for her “molten phrasing” and tone of “sheer iridescence,” Adria Sternstein Foster enjoys a multifaceted musical career.

Adria is the Principal Flutist of the Kennedy Center Opera House Orchestra - the resident orchestra of the Opera House of the John F. Kennedy Center for the Performing Arts in Washington DC. It is the only orchestra in the country dedicated solely to the performance of three musical genres: Opera, ballet and musical theater.In this role she performs for the Washington National Opera and has played for virtually all major national and international ballet companies, including American Ballet Theatre, New York City Ballet, Royal Ballet, Bolshoi Ballet, Mariinsky Ballet, Paris Opera Ballet and many more.

As a member of the IBIS Chamber Music Society, Adriahas performed chamber music for flute, harp and strings throughout the Washington, DC metropolitan area. With IBIS she has been heard on WETA’s Front Row Washington and appears in the 2017 documentary film Samuel Barber: Absolute Beauty.

Recordings include Vivaldi’s flute concerto “Il Gardellino” on the disc IBIS x 2, and Iridescence, a new CD of works for flute and harp with Kennedy Center Opera House Orchestra principal harpist Susan Robinson.

A native of New York City, Adria attended La Guardia High School of Music and the Arts and studied with Bonnie Lichter at Juilliard’s Pre-College Division. She continued her education at Juilliard, where she received both her bachelor’s and master’s degrees as a student of Julius Baker and Jeanne Baxtresser.

Adria is honored to collaborateon Volume II of the indispensable publication for flutists, “Orchestral Excerpts for Flute with Piano Accompaniment,” with her mentor Jeanne Baxtresser, former Principal Flutist of the New York Philharmonic.

Karla Donehew Perez

Violin

A founding member of the Catalyst Quartet, Karla Donehew Perez maintains a busy performance schedule throughout the United States and around the world. Born in Puerto Rico, Donehew Perez began playing the violin at age three and made her solo debut with the Puerto Rico Symphony at 9 years old. At age 12, her family moved to California where she continued her studies with Anne Crowden, director and founder of The Crowden School. 

Donehew Perez completed her bachelors and masters degrees at the Cleveland Institute of Music, studying performance with the heralded violin teachers Paul Kantor, David Cerone, and William Preucil. She has performed as featured soloist with the Berkeley Symphony, Sacramento Philharmonic, San Francisco Chamber Orchestra, Oakland East Bay Symphony, Puerto Rico Symphony Orchestra, Sphinx Symphony Orchestra, Sphinx Chamber Orchestra, and the New World Symphony among others. As a chamber musician, she has performed with Orpheus Chamber Orchestra and collaborated with artists such as Joshua Bell, Zuill Bailey, Awadagin Pratt, Anthony McGill, Stewart Goodyear, Fredericka Von Stade, Garry Karr, and members of the Guarneri, Juilliard, and Takács quartets. Donehew Perez has been guest concertmaster at the Tucson Symphony and spent two years as a fellow at the New World Symphony, where she was often concertmaster or principal second violin.

Donehew Perez performs on a violin made in 2013 by renowned German luthier Stefan Peter Greiner, supported in part by a Sphinx MPower Artist Grant, and a fine violin bow by Victor Fetique on generous loan from the Rachel Elizabeth Barton Foundation.

Robert DiLutis

Clarinet

Robert DiLutis is Professor of Clarinet at the University of Maryland and in his 6th season as Principal Clarinetist of the Annapolis Symphony Orchestra. Mr. DiLutis previously taught at Louisiana State University and held positions with the Rochester Philharmonic Orchestra, San Antonio Symphony Orchestra and Eastman School of Music. His recent recitals and classes have included the Graz Conservatory in Austria, ClarinetPasto in Colombia South America, Cincinnati Clarinet Mini-Fest, University of Michigan, Interlochen Arts Academy and Clarinetfest, Madrid, Spain and Ostend, Belgium. Born in Baltimore, Maryland to a family of musicians, Mr. DiLutis studied with William Blayney and later at the Juilliard School with David Weber of the NYC Ballet. In 1989 he made his Carnegie Recital Hall debut as the winner of the Artist International Chamber Music Competition. As a soloist Mr. DiLutis has performed with the San Antonio Symphony, Rochester Philharmonic Orchestra and Baton Rouge Symphony. Mr. DiLutis has toured with the New York Philharmonic and is co-director of the Clarinet Academy of America. In addition to his performance career Mr. DiLutis is the creator of the Reed Machine, a reed making device used by top professionals around the world. Mr. DiLutis is an Artist for Buffet Crampon, Rovner, Selmer Mouthpieces and Lohff and Pfieffer USA. His work can be heard on the Delos, RM Records and Tonsehen labels.

Carrie Bean Stute

Cello

A versatile and promising performer bringing “sonorous life” to the stage [Cleveland Plain Dealer], cellist Carrie Bean Stute’s musical endeavors cover the span of solo, chamber, and orchestral playing. Since 2014 she has held a position with “The President’s Own” Marine Chamber Orchestra in Washington, DC, where she performs in such diverse settings as the White House, State Department, area public schools, and the Phillips Collection. She is co-founder and co-artistic director of the Capitol Hill-based chamber music seriesthe Chiarina Chamber Players. Appearing on most of Chiarina’sconcerts alongside leading regional players, she also manages programming and outreach for a growing audience base.

Carrie was a fellow at the New World Symphony in Miami Beach, Florida, and at the Tanglewood Music Center, where she was recipient of the Karl Zeise Memorial Cello Award. As a soloist noted for her “style and virtuosity” [ClevelandClassical], Carrie has performed with the Florida Orchestra and the Apollo’s Fire Baroque Orchestra of Cleveland. She appeared at the Norfolk (CT) and Sarasota (FL) chamber music festivals, and at the Britten-Pears Young Artist Programme in Aldeburgh, England. While living in New York, she performed in such notable venues as Carnegie’s Zankel Hall, Le Poisson Rouge, Roulette, and an in-house educational residency at the 92nd Street Y. She has collaborated with such artists as Jaime Laredo, Sarah Chang, Charles Neidich, and Rolf Schulte. Her work with small ensembles and orchestras can be heard on the Albany, Avie, BSO Classics, and GlorClassics recording labels.

As a performer who seeks out the work of today’s composers, Carrie was a member of the New York-based ensemble Hotel Elefant and participated in the 2013 Carnegie Hall workshop "New Voices, New Music," led by David Lang and the International Contemporary Ensemble. She has collaborated with DC’s Inscape Chamber Orchestra and with such diverse composers as John Adams, Oliver Knussen, Michael Gordon, Richard Carrick, SahbaAminikia, and Mary Kouyoumdjian. She took part in Tanglewood’sElliott Carter Centennial celebration and was soloist in a premiere reading of Fang Man’s Tao for Sheng, Cello, and Orchestra at the Aldeburgh Festival.

Carrie is currently an instructor at the DC Youth Orchestra Program and the Capitol Hill Arts Workshop’s Suzuki program. Sheserved as an adjunct instructor at CUNY Queens College, where she taught cello and chamber music. In 2016 she was a teaching artist and performer at the Alonso Marín National Music Festival in Caldas, Colombia. In 2014 and 2012 she served as a guest teaching artist for the National Youth Orchestra of Honduras, in an initiative sponsored by the U.S. Embassy. Carrie taught previously at the Harlem Opus 118 School in New York and at the Eastman Community Music School in Rochester. With the Atlas Piano Trio, she held a two-year residency at Hampden-Sydney College in Virginia. At the Bowdoin Music Festival, she was a teaching assistant to Professor Steven Doane. In her earlier collaborations with the Youth Orchestra of the Americas, she took part in toursto Central America, South America, and Europe, interacting with local youth orchestras in projects designed to mentor young musicians. She currently serves on the Advisory Board of YOA’s expanding pilot program, the Global Leader Program, which offers fieldwork opportunities for teaching artists and a related curriculum.

Carrie holds degrees from the Eastman School of Music and Indiana University, where she was also a recipient of a faculty-awarded Performer’s Certificate (ESM), Arts Leadership Certificate (ESM), and Jacobs Scholar Award (IU). She was recipient of an Enhanced Chancellor’s Fellowship from the City University of New York’s Graduate Center, where she is completing doctoral studies. Her teachers include Steven Doane, Janos Starker, Marcy Rosen, Sharon Robinson, and Scott Kluksdahl. She studied chamber music with members of the Tokyo, Artis, and Ying Quartets, and with the Kalichstein–Laredo–Robinson Trio. She has performed in master classes for such cellists as FransHelmerson, Paul Katz, and Timothy Eddy.

Steven Beck

Piano

Pianist Steven Beck continues to gather acclaim for his performances and recordings. Recent career highlights include performances of Beethoven’s variations and bagatelles at Bargemusic, where he first performed the Beethoven sonata cycle.

An experienced performer of new music, Beck has worked with Elliott Carter, Pierre Boulez, Henri Dutilleux, Charles Wuorinen, George Crumb, George Perle, and Fred Lerdahl, and has performed with ensembles such as Speculum Musicae and the New York New Music Ensemble. He is a member of the Da Capo Chamber Players, the Knights, and the Talea Ensemble. He is also a member of Quattro Mani, a piano duo specializing in contemporary music. As an orchestral musician he has appeared with the New York Philharmonic, the New York City Ballet Orchestra, Orpheus, the Mariinsky Orchestra and many others.

Mr. Beck’s discography includes Peter Lieberson's third piano concerto (for Bridge Records) and a recording of Elliott Carter’s “Double Concerto” on Albany Records. He is a Steinway Artist.