Attacca II: Ravel, Schubert, Shaw

Attacca Quartet

Grammy award-winning Attacca Quartet, as described by The Nation, “lives in the present aesthetically, without rejecting the virtues of the musical past”, and it is this dexterity to glide from the music of the 18th through to the 21st century repertoire that places them  as one of the most versatile and outstanding ensembles of the moment – a quartet for modern times. 

Touring extensively in the United States, recent highlights include Lincoln Center’s White Lights Festival and Miller Theatre, both with Caroline Shaw, Phillips Collection where they have been re-invited this season, Chamber Music Detroit, Red Bank Chamber Music Society, Chamber Music Austin, Isabella Stewart Gardner Museum in Boston, Banff String Quartet Festival and other upcoming engagements at Dumbarton Oaks and Ojai Festival. Attacca Quartet has also served as the Quartet in Residence at the Metropolitan Museum of Art, the Ensemble-in-Residence at the School of Music at Texas State University and Juilliard's Graduate Resident String Quartet, where they premiered the film Plan and Elevation (featuring the music of the same name by Caroline Shaw).  

Outside of the US, recent performances include their debut in London at Kings Place and in Oslo at the Vertavo Haydn Festival as well as performances at Gothenburg Konserthuset, MITO Septembre Festival in Italy and Sociedad Filarmónica de Bilbao. 2022 will see them touring again in Europe and South America – including Strijkkwartet Biennale Amsterdam, Strings of Autumn Festival Prague, Thüringer Bachwochen, Sala São Paulo in Brazil, Fundacion Beethoven in Chile, National Theatre of Panamá, and Teatro Mayor in Bogota. Last season Attacca Quartet has also been exploring new digital formats, taking part and also producing a number of filmed and streamed concerts for Banff Centre International String Quartet Festival, IlluminArts, Miller Theatre, Duke Performances, Austin Chamber Music Center, as well as their first digital engagement for Szczecin Philharmonic Orchestra.  

Passionate advocates of contemporary repertoire, the Quartet are dedicated to presenting and recording new works. Their Album, Orange, for which they received the 2020 Grammy Award for Best Chamber Music/​Small Ensemble Performance, features string quartet works by Pulitzer-prize winning composer Caroline Shaw. Greatly received and praised by the critics, it has also been featured in NPR´s List of ‘25 Best Albums of 2019’ and ‘10 Classical Albums to Usher in the Next Decade’ and in New York Times’ list of the ‘25 Best Classical Music Tracks of 2019’ for Valencia. It was also shortlisted for the 2020 BBC Music Magazine Awards and several Opus Klassik Awards. 

In 2021, the Quartet announced their exclusive signing to SONY Classical, releasing two albums that embody their redefinition of what a string quartet can be. The first Album, Real Life, featuring guest artists such as TOKiMONSTA and Daedelus, has been released on July 9.

Previous recordings include three critically acclaimed albums with Azica Records, including a disc of Michael Ippolito’s string quartets, and the complete works for string quartet by John Adams.  The latter was praised by Steve Smith of The New York Times as a “vivacious, compelling set” and described the Attacca Quartet’s playing as “exuberant, funky, and … exactingly nuanced.”  The album was the recipient of the 2013 National Federation of Music Clubs Centennial Chamber Music Award.  Additional awards for their recordings include both the Arthur Foote Award from the Harvard Musical Association and Lotos Prize in the Arts from the Stecher and Horowitz Foundation 

Other accolades include First Prize at the 7th Osaka International Chamber Music Competition, the Top Prize and Listeners’ Choice award winners for the Melbourne International Chamber Music Competition, and Grand Prize Winners of the 60th annual Coleman Chamber Ensemble Competition. 

The Attacca Quartet has engaged in extensive educational and community outreach projects, serving as guest artists and teaching fellows at the Lincoln Center Institute, the Boston University Tanglewood Institute and Bravo! Vail Valley among others. 

Grammy award-winning Attacca Quartet, as described by The Nation, “lives in the present aesthetically, without rejecting the virtues of the musical past”, and it is this dexterity to glide from the music of the 18th through to the 21st century repertoire that places them as one of the most versatile and outstanding ensembles of the moment – a quartet for modern times.

Passionate advocates of contemporary repertoire, John Adams has said of Attacca to “share their musical DNA”. Their Album, Orange, featuring works from Caroline Shaw, grant them the 2020 Grammy Award for Best Chamber Music.

Carrie Bean Stute

Cellist Carrie Bean Stute is co-founder and co-artistic director of the Washington, DC-based Chiarina Chamber Players, a chamber music series and flexible ensemble that has won critical acclaim for its artistry and innovative programming. Carrie’s chamber music performances have been broadcast on Classical WETA’s Front Row Washington. In DC, she performs with the National Symphony Orchestra, has served as an adjunct professor of music at George Washington University, and is currently assistant principal cellist of “The President’s Own” Marine Chamber Orchestra, where she performs in such diverse settings as the White House, area public schools, and for events hosted by the United Nations and State Department.

A performer who seeks out the voices of today, she collaborates with a growing set of composers, including Reinaldo Moya, Mary Kouyoumdjian, Juhi Bansal, and Kennedy Center composer-in-residence Carlos Simon. Carrie authored a doctoral dissertation on the cello works of Pēteris Vasks and in 2021 performed as soloist in the North American premiere of his Cello Concerto No. 2. She took part in the Carnegie Hall workshop “New Voices, New Music” and has performed chamber music at such venues as the Phillips Collection, Zankel Hall, Le Poisson Rouge, Roulette, and an in-house educational residency at the 92nd Street Y.

Carrie holds degrees from The Graduate Center at the City University of New York (Doctor of Musical Arts), Indiana University, and the Eastman School of Music. She was a fellow at the New World Symphony and Tanglewood Music Center. Forthcoming in 2024-25 are recordings of chamber music by Carlos Simon (with Domenic Salerni, Efi Hackmey, and Carl DuPont) and clarinet trios by Brahms and Beethoven (with Robert DiLutis and Rita Sloan).