Our final concert of the season brings together composers whose distinct voices stand out in their time. Venezuelan-born Moya pulls inspiration from literary sources, and Simon’s work offers spiritual contemplation. Clarke’s prizewinning sonata from 1919 caused a sensation, and Fauré’s instantly recognizable musical language delights.
Don’t miss a beat this season!
Chiarina’s Season Pass includes admission to
all four remaining concerts in 24-25 at a 10% discount.
Cellist Carrie Bean Stute is co-founder and co-artistic director of the Washington, DC-based Chiarina Chamber Players, a chamber music series and flexible ensemble that has won critical acclaim for its artistry and innovative programming. Carrie’s chamber music performances have been broadcast on Classical WETA’s Front Row Washington. In DC, she performs with the National Symphony Orchestra, has served as an adjunct professor of music at George Washington University, and is currently assistant principal cellist of “The President’s Own” Marine Chamber Orchestra, where she performs in such diverse settings as the White House, area public schools, and for events hosted by the United Nations and State Department.
A performer who seeks out the voices of today, she collaborates with a growing set of composers, including Reinaldo Moya, Mary Kouyoumdjian, Juhi Bansal, and Kennedy Center composer-in-residence Carlos Simon. Carrie authored a doctoral dissertation on the cello works of Pēteris Vasks and in 2021 performed as soloist in the North American premiere of his Cello Concerto No. 2. She took part in the Carnegie Hall workshop “New Voices, New Music” and has performed chamber music at such venues as the Phillips Collection, Zankel Hall, Le Poisson Rouge, Roulette, and an in-house educational residency at the 92nd Street Y.
Carrie holds degrees from The Graduate Center at the City University of New York (Doctor of Musical Arts), Indiana University, and the Eastman School of Music. She was a fellow at the New World Symphony and Tanglewood Music Center. Forthcoming in 2024-25 are recordings of chamber music by Carlos Simon (with Domenic Salerni, Efi Hackmey, and Carl DuPont) and clarinet trios by Brahms and Beethoven (with Robert DiLutis and Rita Sloan).
Violist Daniel Foster’s varied career encompasses orchestral, chamber and solo playing, as well as teaching. After capturing the First Prize in both the William Primrose and Washington International Competitions, Mr. Foster became a member of the National Symphony’s viola section in 1993, and was appointed Principal by Music Director Leonard Slatkin in 1995. Mr. Foster has appeared frequently as soloist with the National Symphony since his appointment.
Mr. Foster is a member of the critically acclaimed Dryden Quartet, along with his cousins Nicolas and Yumi Kendall and National Symphony Concertmaster Nurit Bar-Josef, and is also a founding member of the Kennedy Center Chamber Players.
Mr. Foster is on the faculty at the University of Maryland and has given master classes at Oberlin and Peabody Conservatories, the University of Michigan and the Cleveland Institute of Music. He has been a faculty member for the National Orchestral Institute, and is a member of the “International Principals” faculty at the Pacific Music Festival in Sapporo, Japan.
Violinist, composer, and arranger Domenic Salerni is a member of the two-time Grammy Award-winning Attacca Quartet. Attacca was featured on Billie Eilish’s most recent Album “Hit Me Hard and Soft,” and earlier this season made their Concertgebouw debut. Attacca can be heard on the soundtrack to Alfonso Cuarón’s upcoming seven-part film series on Apple TV+ “Disclaimer,” playing the music of Finneas. They will also be featured, alongside Sō Percussion and Roomful of Teeth, in Caroline Shaw’s film score to Ken Burns’ newest PBS documentary, “Leonardo da Vinci,” airing this November. Attacca looks forward to a number of upcoming releases with the record label Platoon, and can also be heard on albums with Nonesuch Records and Sony Classical.
As a recitalist and composer, Domenic can be heard at Richmond, Virginia’s newest chamber music salon, The Belvedere Series, founded by pianist Ingrid Keller. The Belvedere Series commissioned Salerni’s “Seven Meditations” for piano trio last season thanks to a grant from the Allan and Margot Blank Foundation. Domenic also arranged 60s Civil Rights era protest songs for the Palaver Strings’ album “a change is gonna come,” featuring tenor Nicholas Phan and jazz vocalist Farayi Malek. In 2022, Attacca created and recorded original music for the podcast “The Sound: Mystery of Havana Syndrome,” which was featured in the New York Times’ Best Podcasts of 2023. Domenic’s first string quartet commission, “Trilobites: a Musical Excavation,” was made possible by the Appalachian Chamber Music Festival, founded in 2021 by cellist Katie Terrell, and is featured on West Virginia Public Television.
A graduate of the Yale School of Music and the Cleveland Institute of Music, Domenic regularly performs with the Chiarina Chamber Players in Capitol Hill, DC. Recipient of the 2020 CMA Commissioning Grant, Chiarina looks forward to its debut album in its 10th season of the music of Carlos Simon, including the commissioned work, “The Best Cuisine,” featuring co-artistic directors Efi Hackmey and Carrie Bean Stute and bass-baritone Carl DuPont.
Pianist Efi Hackmey is Co-Founder and Co-Artistic Director of Chiarina Chamber Players, together with cellist Carrie Bean Stute. Mr. Hackmey is an active soloist and chamber musician in NYC and in the DC area. In 2013 he released an album on the Naxos label, which includes several world premiere recordings (Polish Violin Music with violinist Kinga Augustyn). Efi has performed at Weill Recital Hall at Carnegie Hall, Lincoln Center’s Rose Studio, Kennedy Center, Bargemusic, Arion Chamber Music, and the Friends of Mozart series in NYC. He performed many additional concerts in Alabama, California, DC, Florida, Idaho, Indiana, Maryland, Montana, New York, North Carolina, Pennsylvania, Texas and Wyoming. In his native Israel he performed as soloist with the Haifa Symphony Orchestra, as well as at the Tel Aviv Museum of Art, Jerusalem Music Center, and in special concerts presented by the Arthur Rubinstein International Music Society. He has performed on Israeli TV Channel 2, and his recordings have been broadcast on the Israeli National Public Radio,and in the US on WTSU, WRWA and WTJB. A review of one of his New York performances quotes “excellent Israeli musician... under his fingers the piano sounded noble, and each phrase was full of character”, and further praises his “highly personal, thought through interpretation.” (Roman Markowicz, “Nowy Dziennik”).
Mr. Hackmey has served on the piano faculty at DePauw University, and he also taught at the Indiana University system, Montgomery College in Rockville, MD, and Levine School of Music in Washington, DC. He holds a Doctor of Music degree in piano performance from the Indiana University Jacobs School of Music, and degrees in piano and conducting from Tel Aviv University. He studied with Menahem Pressler, Pnina Salzman and Dina Turgeman, and has had additional coaching with Lazar Berman, Emanuel Ax, Richard Goode, Janos Starker, David Zinman, Richard Stoltzman and Jaime Laredo.